তোরা শুনিস নি কি শুনিস নি তার পায়ের ধ্বনি,
                    ওই যে      আসে, আসে, আসে।
       যুগে যুগে পলে পলে দিনরজনী
                    সে যে             আসে, আসে, আসে।
                                         গেয়েছি গান যখন যত
                                         আপন-মনে খ্যাপার মতো
                                         সকল সুরে বেজেছে তার
                                                আগমনী-
সে যে       আসে, আসে, আসে।
       কত কালের ফাগুন-দিনে বনের পথে
                     সে যে       আসে, আসে, আসে।
কত শ্রাবণ অন্ধকারে মেঘের রথে
সে যে              আসে, আসে, আসে।
                                            দুখের পরে পরম দুখে,
                                            তারি চরণ বাজে বুকে,
                                            সুখে কখন্‌ বুলিয়ে সে দেয়
                                                    পরশমণি।
                             সে যে              আসে, আসে, আসে।

BEAUTY SMILES in the confinement of the bud,
in the heart of a sweet incompleteness.

THE CROWD listens in wonder to Kashi, the young singer, whose voice, like a sword in feats of skill, dances amidst hopeless tangles, cuts them to pieces, and exults.
Among the hearers sits old Rajah Pratap in weary endurance. For his own life had been nourished and encircled by Barajlal's songs, like a happy land which a river laces with beauty. His rainy evenings and the still hours of autumn days spoke to his heart through Barajlal's voice, and his festive nights trimmed their lamps and tinkled their bells to those songs.
When Kashi stopped for rest, Pratap smilingly winked at Barajlal and spoke to him in a whisper, 'Master, now let us hear music and not this new-fangled singing, which mimics frisky kittens hunting paralysed mice.' The old singer with his spotlessly white turban made a deep bow to the assembly and took his seat His thin fingers struck the strings of his instrument, his eyes closed, and in timid hesitation his song began. The hall was large, his voice feeble, and Pratap shouted 'Bravo!' with ostentation, butwhispered in his ear, 'Just a little louder, friend!'
The crowd was restless; some yawned, some dozed, some complained of the heat. The air of the hall hummed with many-toned inattention, and the song, like a frail boat, tossed upon it in vain till it sank under the hubbub.
Suddenly the old man, stricken at heart, forgot a passage, and his voice groped in agony, like a blind man at a fair for his lost leader. He tried to fill the gap with any strain that came. But the gap still yawned: and the tortured notes refused to serve the need, suddenly changed their tune, and broke into a sob. The master laid his head on his instrument, and in place of his forgotten music, there broke from him the first cry' of life that a child brings into the world.
Pratap touched him gently on his shoulder, and said, 'Come away, our meeting is elsewhere. I know, my friend, that truth is widowed without love, and beauty dwells not with the many, nor in the moment.'