The Poet's Religion
Essays
CIVILITY is BEAUTY of behaviour. It requires for its perfection patience, self-control, and an environment of leisure. For genuine courtesy is a creation, like pictures, like music. It is a harmonious blending of voice, gesture and movement, words and action, in which generosity of conduct is expressed. It reveals the man himself and has no ulterior purpose.
Our needs are always in a hurry. They rush and hustle, they are rude and unceremonious; they have no surplus of leisure, no patience for anything else but fulfilment of purpose. We frequently see in our country at the present day men utilising empty kerosene cans for carrying water. These cans are emblems
The world is too much with us; late and soon,
Getting and spending, we lay waste our powers.
Little we see in Nature that is ours.
I'd rather be
A pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea,
Or hear old Triton blow his wreathed horn.
I hang 'mid men my heedless head,
And my fruit is dreams, as theirs is bread:
The godly men and the sun-hazed sleeper,
Time shall reap; but after the reaper
The world shall glean to me, me the sleeper.
I saw old Autumn in the misty morn
Stand shadowless like Silence, listening
To silence, for no lonely bird would sing
Into his hollow ear from woods forlorn.
Of April another poet sings:
April, April,
Laugh thy girlish laughter;
Then the moment after
Weep thy girlish tears!
April, that mine ears
Like a lover greetest,
If I tell thee, sweetest,
All my hopes and fears.
April, April,
Laugh thy golden laughter.
But the moment after
Weep thy golden tears!
This Autumn, this April, - are they nothing but phantasy?
With wonderful deathless ditties
We build up the world's great cities,
And out of a fabulous story
We fashion an empire's glory.
Thou, silent form, dost tease us out of thought,
As doth eternity, . . .
Spite off despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darken'd ways
Made for our searching : yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits.
White hawthorn, and the pastoral eglantine,
Fast-fading violets covered up in leaves;
And mid-day's eldest child,
The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer eves.
In the morning I awoke at the flutter of thy boat-sails,
Lady of my Voyage, and I left the shore to follow the beckoning waves.
I asked thee, 'Does the dream-harvest ripen in the island beyond the blue?'
The silence of thy smile fell on my question like the silence of sunlight on waves.
The day passed on through storm and through calm, The perplexed winds changed their course, time after time, and the sea moaned.
I asked thee, 'Does thy sleep-tower stand somewhere beyond the dying embers of the day's funeral pyre?'
No answer came from thee, only thine eyes smiled like the edge of a sunset cloud.
It is night. Thy figure grows dim in the dark.
Thy wind-blown hair flits on my cheek and thrills my sadness with its scent.
My hands grope to touch the hem of thy robe, and I ask thee - 1s there thy garden of death beyond the stars, Lady of my Voyage, where thy silence blossoms into songs?'
Thy smile shines in the heart of the hush like the star-mist of midnight.
That tall flower that wets,
Like a child , half in tenderness and mirth,
Its mother's face with heaven-collected tears.
He ends by saying:
And then, elate and gay,
I hastened to the spot whence I had come,
That I might there present it! - Oh! to whom?
Like hues and harmonies of evening,
Like clouds in starlight widely spread,
Like memory of music fled.
This, he says, rouses in our mind the question:
Why aught should fail and fade that once is shown,
Why fear and dream and death and birth
Cast on the daylight of this earth
Such gloom, - why man has such a scope
For love and hate, despondency and hope?
The poet's own answer to this question is:
Man were immortal, and omnipotent,
Didst thou, unknown and awful as thou art,
Keep with thy glorious train firm state within his heart.
Therefore the names of Demon, Ghost, and Heaven
Remain the records of their vain endeavour,
Frail spells, - whose uttered charm might not avail to sever,
From all we hear and all we see,
Doubt, chance and mutability.
The light alone, - like mist o'er mountain driven,
Or music by the night wind sent,
Thro' strings of some still instrument,
Or moonlight on a midnight stream
Gives grace and truth to life's unquiet dream.
My master's flute sounds in everything,
drawing me out of my house to everywhere.
While I listen to it I know that every step I take
is in my master's house.
For he is the sea, he is the river that leads to the sea,
and he is the landing place.
Unlinked with hope that thou wouldst free
This world from its dark slavery;
That thou, - O awful Loveliness, -
Wouldst give whate'er these words cannot express.
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