(Translated from the Bengali of Dwijendralal Roy) 'COME, MOON, come down, kiss my darling on the forehead,' cries the mother as she holds the baby girl in her lap while the moon smiles as it dreams. There come stealing in the dark the vague fragrance of the summer and the night-bird's songs from the shadow-laden solitude of the mango-grove. At a far-away village rises from a peasant's flute a fountain of plaintive notes, and the young mother, sitting on the terrace, baby in her lap, croons sweetly, 'Come, moon, come down, kiss my darling on the forehead.' Once she looks up at the light of the sky, and then at the light of the earth in her arms, and I wonder at the placid silence of the moon. The baby laughs and repeats her mother's call, 'Come, moon, come down.' The mother smiles, and smiles the moonlit night, and I, the poet, the husband of the baby's mother, watch this picture from behind, unseen.
I EVER GO seeking for this self of mine; but how can I know the fugitive, who flits in dreams in changing forms and guises? Often have I listened to its voice in the heart of my own songs, but never know I where it dwells. The hours pass, the light fades, the farewell tune is wafted in the evening breeze from the flute of a passer-by.
